When Spring unlocks the flowers to paint the laughing soil. — Reginald Heber

"Before, beside us, and above The firefly lights his lamp of love."

"Then on! then on! where duty leads, My course be onward still."

"By far the greater number of them were Hindoos, and perhaps one half brahmins any one of them, if he had been his own master, would have rejoiced in an opportunity of shedding his lifes blood in a quarrel with the Mussulmans, and of the mob who attacked them, the brahmins, yoguees, gossains, and other religious mendicants, formed the front rank, their bodies and faces covered with chalk and ashes, their long hair untied as devoted to death, showing their strings, and yelling out to them all the bitterest curses of their religion, if they persisted in urging an unnatural war against their brethren and their gods. The sepoys, however, were immoveable. Regarding the military oath as the most sacred of all obligations, they fired at a brahmin as readily as any one else, and kept guard at the gate of a mosque as faithfully and fearlessly as if it had been the gate of one of their own temples. Their courage and steadiness preserved Benares from ruin."

"Brightest and best of the sons of the morning, Dawn on our darkness, and lend us thine aid. Star of the east the horizon adorning, Guide where our infant Redeemer is laid."

"Failed the bright promise of your early day?"

"We deny our Lord whenever, like Demas, we through love of this present world forsake the course of duty which Christ has plainly pointed out to us."

"The only influences in [the painting The sick Child, Munch painted in his elderly home, remembering very accurate the last days of his dying little sister Sophie] The sick Child.. ..were the ones that come from my home.. ..my childhood and my home. Only someone who knew the conditions at home could possibly understand why there can be no conceivable chance of any other place having played a part – my home is to my art as a midwife is to her children.. ..few painters have ever experienced the full grief of their subject as I did in The sick child. It was not just I who was suffering; it was all my nearest and dearest as well."

"General Franco made it clear that Spain could enter the war only when England was about ready to collapse."

"The Spanish Republic did not find itself free of obligations. For the most part the leaders were Freemasons. Before their duty to their country came their obligations to the Grand Orient. In my opinion, Freemasonry, with all its international influence, is the organization principally responsible for the political ruin of Spain, as well as the murder of Calvo Sotelo, who was executed in accordance with orders from the Grand Secretary of Freemasonry in Geneva."

"Art was what I originally started out to do and music came second at first. I had a year at art college but I left because it was too much like school. I give all my paintings away to people I like."

"Lady Cannons gone to a matinée at the St. Jamess. We had tickets for the first night, but of course she wouldnt use them then. She preferred to go alone in the afternoon, because she detests the theatre, anyhow, and afternoon performances give her a headache. If she does a thing thats disagreeable to her, she likes to do it in the most painful possible way. She has a beautiful nature."

"At first when I saw The Sick Child [in his imagination] her pallid face and the vivid red hair against the pillow – I saw something that vanished when I tried to paint it. I ended up with a picture on the canvas which, although I was pleased with it, bore little relationship to what I had seen.. ..In the space of that year [1885 – 1886], scratching it out, just letting the paint flow, endlessly I tried to recapture what I had seen for the first time – the pale transparent skin against the linen sheets, the trembling lips, the shaking hands. I repainted the painting numerous times – scratched it out – let it become blurred in the medium – and tried again and again to catch the first impression – the transparent pale skin against the canvas – the trembling mouth – the trembling hands. I had done the chair [in which his sister Sophie had died] with the glass too often. It distracted me from doing the head. – When I saw the picture I could only make out the glass and the surroundings. – Should I remove it completely? – No, it had the effect of giving depth and emphasis to the head. – I scared off half the background and left everything in masses – one could now see past and across the head and the glass.. .I had achieved much of that first impression, the trembling mouth – the transparent skin – the tired eyes – but the picture was not finished in its colour – it was pale grey – the picture was then heavy as lead. [Munch showed the painting on the Autumn Exhibition 18 October 1886; it was criticized severely, even by his bohemian art-friend Jager]"