SHAWORDS
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Family Love

Family Love

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"The only influences in [the painting The sick Child, Munch painted in his elderly home, remembering very accurate the last days of his dying little sister Sophie] The sick Child.. ..were the ones that come from my home.. ..my childhood and my home. Only someone who knew the conditions at home could possibly understand why there can be no conceivable chance of any other place having played a part – my home is to my art as a midwife is to her children.. ..few painters have ever experienced the full grief of their subject as I did in The sick child. It was not just I who was suffering; it was all my nearest and dearest as well."
Edvard MunchEdvard Munch
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"He was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust — just uneasiness — nothing more. You have no idea how effective such a... a... faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him — why? Perhaps because he was never ill . . . He had served three terms of three years out there . . . Because triumphant health in the general rout of constitutions is a kind of power in itself."
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Heart of Darkness
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"I guess you could say that I was somewhat withdrawn from my classmates. I spent a good deal of time being a loner. I suppose that had something to do with the way we lived — always on the move, never living in one town very long. Its very hard to make lasting friendships that way. And my father was rather strict with me and my two younger sisters. He insisted on proper behaviour and very often vetoed our choices of boyfriends. There was always a curfew whenever my sisters or I would go out on a date — we had to be home on time or else. But I never resented his authority. In fact, Im thankful for my strict upbringing; I feel it has helped me learn discipline — and thats very important in this business."
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Sharon Tate
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"In just the last few months Sharon was beginning to come into her own. She never cared about being beautiful. She never even really cared about acting. She just wanted to love and be loved. And have her baby. I know that if shed lived and had the baby everything would have been different for her. Because that is what Sharon really wanted. She was just a little girl from Texas who was so incredibly beautiful that she got swept up in all of the Hollywood nonsense. But all she ever wanted was what every woman wants — a man to love and a baby of her own. I cant believe that the murderers knew her. To know Sharon, to really know her, was to love her. There is just no way that anyone who knew her could have hurt her so."
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Sharon Tate
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"If you were looking for the player you would replace Keane with, its Gerrard, without question. He has become the most influential player in England, bar none. Not that Vieira lacks anything, but I think that Gerrard does more for his team than Vieira does. To me, Gerrard is Keane; he is now where Keane was when Roy came to us in 1994. Ive watched him quite a lot, and everywhere the ball is, he seems to be there. Hes got that unbelievable engine, desire, determination. Anyone would love to have Gerrard in their team. Vieira has done that job for Arsenal for two or three years. But you can see Gerrard rising and rising."
Steven GerrardSteven Gerrard
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"It may be that nothing in the world is so hard to comprehend as a terror whose time has come and gone - which may be why parents can scold their children for their fear of the boogeyman, when as children themselves they had to cope with exactly the same fears (and the same sympathetic but uncomprehending parents). That may be why one generations nightmare becomes the next generations sociology, and even those who have walked through the fire have trouble remembering exactly what those burning coals felt like."
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Danse Macabre (book)
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"A French critic cleverly wrote that "with Autumn Sonata Bergman does Bergman" It is witty but unfortunate For me, that is I think it is only too true that Bergman (Ingmar, that is) did a Bergman I love and admire the filmmaker Tarkovsky and believe him to be one of the greatest of all time My admiration for Fellini is limitless But I also feel that Tarkovsky began to make Tarkovsky films and that Fellini began to make Fellini films Yet Kurosawa has never made a Kurosawa film I have never been able to appreciate Bunuel He discovered at an early stage that it is possible to fabricate ingenious tricks, which he elevated to a special kind of genius, particular to Bunuel, and then he repeated and varied his tricks He always received applause Bunuel nearly always made Bunuel films"
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Ingmar Bergman